Wedgwood Cobalt Blue Jasper Dip Demitasse Cup and Saucer, Neoclassical Sprig Decoration, Circa 1920s

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Wedgwood Cobalt Blue Jasper Dip Demitasse Cup and Saucer, Neoclassical Sprig Decoration, Circa 1920s

 

Specifications

Maker: Wedgwood
Origin: England
Material: Jasperware (cobalt blue jasper dip)
Date: Circa 1920s
Cup Height: approximately 2 inches
Cup Diameter (rim): approximately 2 inches
Cup Width (with handle): approximately 3 inches
Saucer Diameter: approximately 3.75 inches
Saucer Height: approximately 0.75 inches
Condition: Very good vintage condition; no visible chips to sprigs, light age-appropriate wear

Availablity

1 in stock

Description

Wedgwood Cobalt Blue Jasper Dip Demitasse Cup and Saucer, Early 20th Century

This is a finely detailed Wedgwood cobalt blue jasper dip demitasse cup and saucer, a compact yet striking example of the firm’s neoclassical tradition. Pieces like this were designed to elevate even the smallest moments of use, combining classical design with everyday function in a way few manufacturers achieved as consistently as Wedgwood.

The deep cobalt ground immediately sets this set apart from the more commonly encountered pale blue jasperware. It has a richness and visual weight that gives the piece a stronger presence, even at this smaller scale. The matte surface absorbs light rather than reflecting it, allowing the applied white relief decoration to stand out with remarkable clarity.

A Composition Rooted in Classical Design

The decoration reflects Wedgwood’s long-standing engagement with ancient Greek and Roman sources. On the cup, a central figural scene unfolds around a seated female figure attended by draped companions. The arrangement suggests one of the firm’s well-known allegorical or sacrificial subjects, where figures gather in quiet, formal interaction rather than dramatic action.

These compositions draw from the influence of designers such as John Flaxman, whose work helped define Wedgwood’s neoclassical identity. The figures are restrained, balanced, and deliberately composed, emphasizing harmony and proportion over movement.

The saucer provides a different rhythm. Here, a continuous frieze of small vignettes depicts putti engaged in lively activity—figures interacting with animals, chariots, and symbolic elements. Each scene is framed by finely modeled anthemion dividers, drawn directly from classical Greek ornament. The result is a surface that feels both structured and animated, offering visual interest from every angle.

Together, the cup and saucer create a subtle contrast between the formal and the playful, a pairing that was entirely intentional in Wedgwood’s design language.

The Jasper Dip Technique

This set is made using the traditional jasper dip method, where a white stoneware body is coated with a layer of cobalt blue slip. The effect is visible at the rim and interior, where the white body remains exposed and glazed, confirming it as dipped rather than solid jasper.

This technique has been central to Wedgwood production since the late 18th century and allowed for a wider range of color while maintaining the crispness of the applied reliefs. The contrast between the matte blue ground and the white sprigs is what gives jasperware its distinctive cameo-like appearance.

Early 20th Century Production

The impressed marks on the underside—WEDGWOOD and MADE IN ENGLAND as separate stamps—place this set firmly in the early 20th century. The serif lettering and overall quality are consistent with production in the period between approximately 1910 and 1930, most likely the 1920s.

This was a time when Wedgwood continued to produce jasperware to a high standard, before later mid-century production became more streamlined.

Condition and Presence

The set remains in very good condition. The cobalt color is rich and even, and the applied sprig decoration is intact with no visible chips or losses. The interior shows minor manufacturing speckling and light, age-appropriate wear, both typical for jasperware of this period.

Despite its smaller scale, the piece carries a strong visual presence. The depth of the cobalt, combined with the clarity of the relief work, gives it a quality that stands out both in display and in use.

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